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Eduardo Jorge de Oliveira is assistant professor in Brazilian Studies (Literature, Culture, Media) at the University of Zurich. He has worked as a researcher at the Deutsches Forum für Kunstgeschichte (DFK) in Paris and at the Max Planck Institute’s Bibliotheca Hertziana in Rome. His research interests include literature, ethnography, and art criticism in Latin America with a focus on Brazil, critical theory, French literature, philosophy, and visual culture. De Oliveira undertook postdoctoral research at the Centre d’histoire et de th.orie des arts (CEHTA) at the École des hautes études en sciences sociales, Paris, and at the Instituto de Estudos da Linguagem (IEL) at Universidade de Campinas, São Paulo. Recent publications: Beschweigen, Bezeichnen. Mira Schendel und die Schrift unmittelbaren Erlebens (Zürich: Diaphanes, 2020); A invenção de uma pele. Nuno Ramos em obras (São Paulo: Iluminuras, 2018). He is one of the editors of the journal Língua-Lugar and a regular French to Portuguese translator of authors such as Édouard Glissant, Philippe Lacoue-Labarthe, Jacques Rancière, Georges Didi-Huberman, Michel Carrouges, and Muriel Pic. Films: La joie qui vient (with Jean-Luc Nancy and Maria Filomena Molder, 2018); Une joie animale (with Jean-Christophe Bailly and Muriel Pic, 2020); Joie publique, joie politique (with Suely Rolnik and Georges Didi-Huberman, 2023).