AutorInnen
Olinda Tupinambá
Olinda Tupinambá is a Brazilian multimedia artist, filmmaker, performer, and curator from the Tupinambá and Pataxó Hã-Hã-Hãe peoples. Her practice brings together Indigenous and environmental activism and storytelling. Her films include Kaapora: The Call of the Forest (2020) and Ibirapema (2022). In 2024, she represented Brazil in the Hãhãwpuá Pavilion at the 60th Venice Biennale. Her work has been featured at the São Paulo Art Museum, Pinacoteca de São Paulo, and Theaterformen Festival, among others. She has curated film programs in France, Portugal, and Brazil, including the Kaapora Festival of Indigenous and Environmental Film, which she directs. She has been a guest speaker at Brown, Duke, Yale, EHESS, USP, UFBA, and Manchester universities. She currently co-leads Environmental Education and Film in the Atlantic Forest: Eco-Activism Through Indigenous Perspectives with the University of London’s School of Advanced Study.
Beiträge //////////////////////////////////////////////////////////////////////////////////////
Jacqueline Azarmi Eskandani, Ziel Karapotó, Olinda Tupinambá, Jamille Pinheiro Dias, Alessandra Praun: Where Rivers Meet: Collective Curatorship and Indigenous Arts in Germany
Building a Long-Term Collaboration with Festival TheaterformenHeft No. 01/2026
Okariz, Itziar
Ordóñez-Cruz, María
Orozco, Teresa
Ortiz Herrera, Agustín
Osterwalder, Sonja
Osterwalder, Pascale
Outram, Dorinda
Palmer, Gesine
Pankow, Edgar
Paschoud, Adrien
Pedrozzi, Martino
Peltzer, Ulrich
Pender, Malcolm
Peretz, Eyal
Perregaux, Christiane
Peselmann, Veronica
Peters, Karin
Pflitsch, Andreas
Phillips, Roxanne
Piencikowski, Robert
Pierstorff, Cornelia
Pinheiro Dias, Jamille
Pister, David
Platthaus, Andreas
Polaschegg, Andrea
Poole, Ralph J.
Poschardt, Ulf
Poschmann, Marion
Prade-Weiss, Juliane
Prandi, Michele
Prange, Regine
Praun, Alessandra
Previšić, Boris
