AutorInnen
Olinda Tupinambá
Olinda Tupinambá is a Brazilian multimedia artist, filmmaker, performer, and curator from the Tupinambá and Pataxó Hã-Hã-Hãe peoples. Her practice brings together Indigenous and environmental activism and storytelling. Her films include Kaapora: The Call of the Forest (2020) and Ibirapema (2022). In 2024, she represented Brazil in the Hãhãwpuá Pavilion at the 60th Venice Biennale. Her work has been featured at the São Paulo Art Museum, Pinacoteca de São Paulo, and Theaterformen Festival, among others. She has curated film programs in France, Portugal, and Brazil, including the Kaapora Festival of Indigenous and Environmental Film, which she directs. She has been a guest speaker at Brown, Duke, Yale, EHESS, USP, UFBA, and Manchester universities. She currently co-leads Environmental Education and Film in the Atlantic Forest: Eco-Activism Through Indigenous Perspectives with the University of London’s School of Advanced Study.
Beiträge //////////////////////////////////////////////////////////////////////////////////////
Jacqueline Azarmi Eskandani, Ziel Karapotó, Olinda Tupinambá, Jamille Pinheiro Dias, Alessandra Praun: Where Rivers Meet: Collective Curatorship and Indigenous Arts in Germany
Building a Long-Term Collaboration with Festival TheaterformenHeft No. 01/2026
Caduff, Marc
Campe, Rüdiger
Cassin, Barbara
Castellanos Vicente, María
Ceola, Francesca
Chestnova, Elena
Christensen, Birgit
Ciragan, Leyla
Cixous, Hélène
Clark, Kate
Clemens, Julia
Clément, Sarah
Cramer, Florian
Czernin, Franz Josef
Dam, Anders Ehlers
Damme, Nora
Danneberg, Lutz
Danuser, Hans
Darian, Veronika
Darida, Muri
David, Pascal
de Lauretis, Teresa
de Oliveira, Eduardo Jorge
de Roche, Charles
Dean, Martin R.
Décaillet, Louise
Deckha, Maneesha
Degler, Anna
Degonda, Lucia
DeJean, Joan
Denger, Marijke
Diefenbacher, Inge
Dippel, Anne
Doll, Martin
Draesner, Ulrike
Drath, Marie
Dubrow, Heather
Dueck, Evelyn
D’Alessandro, Stephanie
